The Dam Busters, 1955

An image from the famous take-off scene in The Dam Busters.
Three of the nine Lancaster bombers on their way to Germany's Ruhr Dams on 16 May 1943.

I jokingly referred to the 1955 movie, The Dam Busters, in a post about busting beaver dams near the Havelock yard. I hadn't watched it in decades, so I rented a copy and sat down one blustery afternoon last week and watched again. I wasn't disappointed.

I can't comment on its historical accuracy, but I will say it's a docudrama. I don't know how it would fare with today's audiences as its dialogue is sometimes politically incorrect, the special effects are crude by today's standards, and the pacing is slow compared to modern films.

A Lancaster bomber at the Canadian Aviation & Space Museum circa 2018
Of the 133 airmen on the dam busters raid, 30 were Canadians, half didn't return.

But, that said, the aircraft scenes, the portrayal of the mission, the acting, and the emotional and psychological veracity are compelling. Also, the portrayal of real-life engineering, its ups and downs, its bureaucratic frustrations, and its sometimes exhilarating successes feel real to me as a lapsed aeronautical engineer. I was glad to see the legendary engineer Barnes Wallis portrayed in the movie, and that his role wasn't minimized.

I'd rate it 8.5 to 9 out of 10. 

Paperback version published by Abacus, 2008.

I said I'd write more about books, so here's one with a little Dam Busters spin. 

I read this one by Harry Pearson, Achtung Schweinehund!: A Boy's Own Story of Imaginary Combat, over the winter. It's an account of Pearson's lifelong involvement in the hobby of war gaming, miniature figures, and military models. It's fact filled, fascinating, sympathetic, and endlessly humorous. He has this to say about the movie:

"The Dam Busters starred Richard Todd [JDL: he plays Wing Commander Guy Gibson], a mainstay of British war films. He had also been a mainstay of the British war. The Dublin-born actor had served in the 7th Battalion of the Parachute Regiment, taken part in the Normandy Landings and had been a member of the Allied spearhead that cut through German lines to join the airborne troops, commanded by Major Howard, who had captured the Pegasus Bridge. In the film D-Day the Sixth of June Todd played his own commanding officer, while in Darryl F. Zanuck's epic The Longest Day he played the part of Major Howard, with a younger actor taking the role of Richard Todd. In the 1958 film I Was Monty's Double, meanwhile, M. E. Clifton-James, who had indeed been Monty's double, took the parts of Monty and his double, thus playing himself being himself as well as playing the man he had been playing at being. The war had already gone postmodern. Little wonder that a primary school boy [JDL: the author] could get confused between fact and fiction."

The book is full of these sorts of gems. Get it, and watch the film.

Rolling stock for the Community Garden Layout

A people mover of dubious safety and legality

From time-to-time I've been working on two pieces of rolling stock for the community garden layout: a people mover, and a compost gondola.

I should have taken construction photos, but I wasn't in a documentation frame-of-mind while working on these. The people mover is basically a little flat car built from scraps of styrene, balsa, and wire on a Peco N-guage chassis.

The compost car.

Including a compost car in the 'fleet' was a suggestion from Galen. My instantiation is based on an old Atlas N-scale gondola. Not much has been done to it other than repainting, 'lettering', and installing a custom coupling bar and ring.

Both cars use a ring attached to a long bar for coupling to the locomotive. The long bar is necessary because the curves have such a tight radius: 3-1/2" inches. This prevents the car from jamming or flipping as it is pulled around a curve.

They both need a bit more weathering and colour, but at this stage I wanted to make sure they tracked properly when pulled, and have them around for comparison sizing the other layout elements.

Doodlebug Country and The Case of the Missing RDC-M Prototype

Interurbans Special #77

Back in early April we visited the Prescott model railway show. It was wall-to-wall people, layouts, and vendors. It looked like a good time was being had by all. I bought a few things of course, and one was the book Doodlebug Country: The Rail Motorcar on the Class I Railroads of the United States by Edmund Keilty, published by Interurban Press in 1982. The book is #77 in the Interurbans Special series. It's a thorough compendium of photos and facts about self-propelled rail cars dating from 1900 to 1960.

Lately I've written very little about books I've bought and read as those posts seemed hardly accessed. I've been reconsidering my stance since finding out about how Anthropic shreds books it has bought after scanning them for consumption by their AI products. I'm a Luddite, and am probably the last one to hear of this, but it was still shocking to me. I read further and learned the practice is quite common at libraries and many other places that deal with books. So, I thought, well, when I'm dead my little library will wind up in a dumpster or shredder, so maybe I should write about what I find interesting in my collection so at least in the future there might be a little pointer in the wild to books that others might find interesting, if any books still exist. Sort of a signal from beyond the grave :-)

That lead RDC looks like a very strange hybrid and is maybe something I'd like to build one day.
The caption in the book has this to say,
"Perhaps the acme in the development of the Budd RDC was the ROGER WILLIAMS train, shown here running as the MURRAY HILL from Boston to New York City at Larchmont, NY, on May 30, 1957."
Photo credit: George E. Votava.

I think I also read somewhere that Anthropic shredded the books because they felt that they no longer had any value once AI had captured the content. I have to admit though that when I read books in the Interurbans Specials series, and other railway books that are photo and illustration heavy, it's not for specific extraction of specific content. I don't have pre-formulated questions to ask that I expect specific answers to, which seems how today's AI seems to work.

Here's how I actually read them, in case any AI is reading this and would like to know :-) 

In the good weather the back porch is where the reading happens. I usually have a small stack of books that for some reason or another I've been thinking about. I gather them up, along with something to drink, coffee, tea, or something stronger depending on mood and time-of-day :-) , pull up a lawn chair, put the books and things on a little table, and settle in.

Me being me, with my model building interests and all, I'm usually drawn first to the photos and illustrations in whatever books are in my stack. I'm just looking for interesting things. When something catches my eye, then the back-and-forth with the text begins as I read and search and think. Sometimes I start with text, but it's usually with images on these expeditions.

On the surface it may sound like something that can easily be replaced with internet browsing and AI questioning. For me though I think the total experience of being outside in good weather, enjoying something to drink, the physicality of the printed pages, and appreciating how easy it is to jump from one page to another, to other books, and back as the search goes on. Maybe a tablet could replace the experience and make it more 'efficient', but I think my efficient is a better efficient as it's a more complete body, mind, and soul experience, and I never know what interesting things I might find.

Oh, and I don't take the books to the shredder when I'm done. No, as time goes on, I'll likely repeat the process with the same books in a different mix when I'm in some other frame-of-mind, thinking of other things. This is where Marie Kondo's work left me horrified. When her work was fairly new I started to read it, but when I got to the part where she recommended cutting out the pieces from books and magazines that 'brought joy' or some such thing, and tossing the rest I nearly passed out. Just because something doesn't 'bring joy' today doesn't mean it won't down the road. I gave up on her writings there and then; they brought me no joy and got tossed.

Ok, well, in good weather, the back porch is where all the reading happens, not just the open ended railway book adventures. There're novels, comics, graphic novels, and so on, last year it was the Inferno while I basked in the sun :-) and this year Purgatorio, and maybe Paradiso if I can survive the trek; there's also sketching ideas in notebooks and so on. Yes, the phone gets out there too, but it hasn't so far replaced my little analog world.

The first railbus, #10, for New Haven by Mack.
The caption reads:
"Prototype Mack railbus 10 initially excited New Haven officials, who ordered nine more. They were delivered, but a new management made scant use of them."
Photo credit: M. D. McCarter Collection.

Before I wrap things up I should mention a little 'discovery' in Doodlebug Country that teased me, lead me astray a bit, but in the end left me with some interesting information I didn't expect to find. Here's the passage that got me thinking for awhile that there really was something similar to an RDC-M way back when, shrouded in the mists of time :-) :

"After World War II, the New Haven was hit hard by rising costs and declining patronage, particularly on its commuter runs out of Boston. In 1952 President Frederick C. Dumaine, hoping that new equipment would rejuvenate the business, purchased no less than 40 Budd RDC cars and used them to increase the number of trains on most routes.

Dumaine also consulted Mack about a smaller, lighter version of the RDC for branch lines and off-peak commuter service. He wanted a vehicle capable of competing with the motor bus with its rider appeal.

The result was in fact a railbus based on the Mack Type C-50 city bus, dubbed Type FCD in honor of Dumaine. The prototype, car 10 [JDL: shown in the above photo], went into service in 1952. The bus body was a single-end design, but in fact the 40-foot long car could operate in either direction, and often did."

When I first encountered that passage I anxiously read more as I thought Mack might be modifying standard RDCs, but no, they stuck to what they knew; however, it turned out these buses-on-rails didn't turn around the flagging commuter business. 

I highly recommend Doodlebug Country. It shows the wide variety of railcar equipment in use in the first half of the 20th century through an extensive collection of photos and detailed tables of equipment.

Making a whole layout from 2 pieces

I joined together the launch pad and excavation pit portions of the layout. It was a little tricky getting the measurements right, but I'm happy that the result was a nice, smooth grade down from the left area to the right.

There's still lots to go, but I'm happy that this part is complete and not too bad.

Scenery begins

Track ballasting is not a job I like. However, I figured I had put it off long enough, and once it was done I could get on with other scenic tasks I find more enjoyable. 

Since the pedestrian pathway is also gravel I added it too as I worked on track ballasting. Ballast is a mixture of fine and medium grade grey, brown, and black ballast gravels from Woodland Scenics. 

I'm going to have to work on the colour a little with thin acrylics to bring it in line with actual gravel in the community garden shown in the above photo. Anyone watching me take photos like this one must wonder about the old lunatic seemingly taking pictures of his shoes, but, hey, one must do seemingly crazy things at times for one's art :-)

On a recent walk I noticed a solar panel had been installed on the roof of the shed. It was added sometime after I made this post about the shed through the seasons. I added one to my little shed using a piece of black construction paper. There's also a wire that runs from the panel, inside through a hole at the top of the other end wall, but I left that off as it would complicate the removable roof I have on the model.

I like to keep assessing the overall look of the layout as I progress. In the above photo I think the shed is a little too close to the path. I plan to move it back, as close to the track as I can so that there's more breathing room between the red flower pots and the path. I'll have to re-drill the hole for the shed's light to make the move, but that's no big deal.