Outtakes from The Bookery

Some extra pictures I took while preparing the The Buddha, The Bookery and the Man Cave. 

I used The Red Apron model as a prop beside The Bookery and I was surprised that they went well together as neighbours. I'll have to remember that if I do some repositioning of buildings on the layout.

Speaking of locations, Gecko Records is temporarily located on a shelf with The Grizzly Flats Depot as its neighbour. I was really struck by how small the depot is in comparison to its looming HO scale companion.

Outtakes from a Night at Gecko's

Some odds-and-ends left over from yesterday's A Night at the Gecko.

A picture taken inside the Elgin next door. 

A shot with the roof popped off the Elgin so I could adjust the lights and right fallen details. The Elgin, even though it's not all that detailed or high quality, is one of my favourite projects. I think that's partly because of it's humble beginnings as a bunch of parts in a bag I bought at a train show for $4. This is the Elgin's Blue Table room, because....

... the centre tables were made from blue heat-sinks. They come in blue and weren't painted. All the stubs that act to dissipate heat were cut off except for four so they'd look more table-like.

There's a saying that if you want to make God laugh, tell him your plans. Those are my modelling plans in a list I made back around New Year's. That 'Mexican Restaurant' in the upper right turned out to be Gecko Records. I guess I need to check it off :-) but I think I can hear the laughing given how many projects are still on the list.

Debra mentioned that in the Gecko post I misspelt the name of those things in the pan. I called them bisquets, but they are correctly called biscuits. However, they're spelt, straight from the own they can't be beat.

I forgot to post this picture of the pieces that make up the delivery door on the back wall of Gecko's. It's simply a laminate of embossed styrene brick on a piece of 0.020 in styrene for strength. The door is cut from 0.010 in styrene and scribed.

The door assembly needs a little weathering, but at least the loading area appears well lit :-)

A Night at the Gecko

It's not a model, but I'm happy with the way it turned out. It gave me a low stress way to fiddle around with micro-LED strip lights. I've used a couple of small strips on some other projects, but nothing in a big way.

I bought a 5m reel of LED strip lighting from LEDMontreal. It runs on 12v dc, and as soon as it arrived in the mail I plugged in a 12 v dc transformer to see if it lit. It did. Turns out it will also light up with a 9v battery, and the lead photo uses one to light up the strips.

To use it, you just cut off a piece from the reel to the length you need - the only proviso is that you can only cut it where it's marked - and solder on some power leads. I used some shop scissors for the cutting. The strip is coated with a rubbery, clear plastic - the strip is meant for use in under cabinet lighting in kitchens, so the coating makes it water proof - and you need to cut it away from the terminals so some power leads can be soldered on the little + and - dots that get exposed. A little careful slicing with an X-acto knife worked for me.

That clear rubbery coating might come in handy one day. I tried a little test where I used a Sharpie pen to colour the coating. It goes on smoothy and doesn't attack the plastic.

The ink doesn't make it opaque and when lit, there's a nice coloured glow. It suggests there's no need to buy coloured strips for special effects, just use a Sharpie to colour whatever strips are needed. I didn't make use of coloured strips on this project, but it's nice to know.

Here are all the strips cut and with leads soldered on. The four long ones are for the under eaves perimeter lighting, and the short one in the middle is for the lobby.

This is the underside of the roof. I used a piece of corrugated styrene to give the outer surface some texture. I built up a groove for the light strips under the eaves from plastic pieces. The strips are self-adhesive so I didn't have to worry about figuring out what sort of glue to use to hold them in place. I'm not sure if this is the best way to wire them with 4 separate leads that were eventually soldered together in parallel. I could have soldered them into one long series strip, but I thought, well, if one of my solder joints isn't so good, I could lose light in most of the strip. Time will tell.

The lobby insert is just a little box built up from pieces of sheet styrene.

The side walls were covered with brick paper, the back was painted blue to match the logo on the back wall, and carpeting is piece of grey paper. I cut an interior door into the right wall.

A record company wouldn't be complete without some gold records for the wall. These ones are built up from thin plastic. They're crude, but they'll likely only be glanced at once installed so there is no need for superdetailing. The records were made by using a paper punch on 0.010 in styrene.

And there they are glued to the left wall in the lobby. At this point the lobby is done except for lighting. 

The lobby light strip was attached to a thin piece of styrene, which was glued to those black plastic pillars that were attached to the lobby sidewalls. They hold the light panel suspended above the clear plastic ceiling.

This picture gives a better idea of how the light panel was installed in the lobby. The ceiling has an embossed block pattern to help obscure the light strip.

At this point the lobby insert was glued into place behind the front doors. The inside of the building and the outer lobby walls were painted black to help block any stray light from leaking out.

Before embarking on final assembly, Debra prepared a dinner of omelets and bisquets; cheddar cheese and chive bisquets to fortify me :-)

Turns out, the job wasn't that hard. I reinforced the roof a bit with hefty styrene strips to help keep it flat. The inside of the roof was then painted black, and a terminal strip was glued to the inside floor. The roof light leads were soldered together and to a power lead that was then connected to the terminal strip. Leads for external power were cut and then connected to the terminals.

The roof panel was attached to the walls with double-sided tape. For some reason I was paranoid about getting it stuck down properly and stacked some heavy books on the whole thing and left it to set up over night. It worked and and that is that. I'm now looking for a location for Gecko Records on my layout.

Gecko's back door

House renovations are going on and on and on, but I've made a little progress on Gecko Records. Above is a picture of the loading door on the back wall. It needs a little weathering and some more detail. Basically, it's a laminate of styrene along with some ancient Letraset for signage and a staple for a door handle.

The corners are filled in with styrene tubes cut for a snug fit and painted flat aluminum.

I use a small tube cutter for scoring styrene tubes. Although this cutter is meant for metal tubes, it works well for styrene as long as you don't cut too deep and distort the plastic. Usually, a decent enough score can be made that allows the tube to be snapped without compressing the plastic. A little clean up with a sanding stick is usually needed after breaking the piece free.

The tiles are not precision dimensioned, so the structure is a little off-square and there are a number of gaps here and there between the pieces. I don't want light to leak out when the lobby is lit up, so I filled all the inside gaps with a non-solvent based wood-filler I bought at Home Hardware - I had some left over from house reno-ing and I didn't want to use expensive hobbyist filler for this job. I haven't seen any cracking or the plastic parts being attacked by it; so far, so good. The plan is to paint the interior black.

This is the insert for the entrance lobby. It still needs a lot of work. The ceiling will be some sort of light panel.

Blue Gecko Records' Recording Studio

Lately I’ve been spending most of my free time on house renovations. I didn’t want to work on any complex modelling projects in what time I had left over, so I thought I’d finally have a go at working on an idea for a small building that used some Mexican tiles I’d been saving. 

I bought them at Casa Lucia in Bloomfield a couple of summers ago when Debra and I visited Prince Edward County. I liked their look and size, and they only cost 50 cents each, so I bought a few. At the time I wasn’t sure what I’d use them for, but they looked like they might be good for some sort of HO scale walls. 

Eventually I settled on a simple ‘chocolate-box’ style project, but the parts have been sitting on my workbench waiting for me to get around to them. Now seemed like a good time. This isn’t a model, just a small building that is close to HO scale that’ll eventually be part of the street scene on the Lost Ocean Line.