Friday, September 13, 2024

Coming Attractions: Artz Lumber Co.

I've been wanting to build Art Curren's project Artz Lumber Co. for a long time and decided this winter is the winter of Artz.

The project needs three Atlas #750 lumberyard kits and an AHM #15303 farmhouse kit for the office. I just want to build the lumber shed so I don't need a farmhouse kit. Artz is going to be a part of a diorama along with Cal's Lumberyard, which has an office on the side. The diorama will be a project for next year. If you're going to follow along, Curren's article appeared in Model Railroader's Dec '86 issue and was reprinted in his 1988 book Kitbashing HO Model Railroad Structures. I won't be copying out the steps in my posts, just muddling along as usual. I'm curious to see how a Curren build goes as I've never done one before even though I've written a few posts about his writings.

In March I was lucky to find an old Atlas kit from the 1960s at the local model railroad swap meet - it's the kit at the top of the triangle in the photo. I'm not sure when this particular instance was manufactured, but the kit was first released in 1962. I did a little looking in Model Railroader and Railroad Model Craftsman to see when ads for it first appeared. The earliest ad in MR appears in the Oct '62 issue, and is followed up by ones in Nov '62 (includes a small picture) and Jan '63 (includes a big picture). After that it appears with some regularity. I couldn't find any ads in RMC for either '62 or '63.

New kits are still being sold today. I acquired those two new ones in the bottom row of the photo just this week, although there was a lengthy search to find a pair at a reasonable price.

Well, I've got the kits. I'm just waiting for the snow to fly!

Monday, September 9, 2024

Mountain o' Foam

I spent some time roughing in all the mountain shapes with odds-and-ends of foam sheeting. I wanted to have all the basic shapes established and adequate support in place before I started casting rock surfaces from the molds.

All the supporting foam is in place except for the pieces that will make up the Granite Gate. I'm still thinking about how to make that shape.


Those little black boxes that have been inset in the styrofoam walls shown in the above photo house the on-off power switches for the nearby track switches. They were built up from scrap pieces of 0.080" thick styrene.


This 'back' part will look rather foreboding once it has been detailed. I'm playing with ideas to visually bridge the two lobes to lessen that feeling. 

The next step will be to squirt some spray foam into any gaps between the foam pieces so the structure is as rigid as I can get.

Saturday, September 7, 2024

Tales of The Midnight Hobby Shop, Part 2

When we left Ed and Frank they were marvelling over the disappearing model kit that didn’t disappear. Get a beverage. It’s time for part 2:

I can’t overestimate the healing powers of coffee and a bagel, especially at Del’s. It was quarter after three and there was no one in the place except Frank and me. We asked Del to set ’em up as we had a little story to hash over we thought the client should know. We were drinking coffee to end a strange episode, so we made it a cup for the kit and one more for the midnight hobby shop.


“I think we should drive over to my place to have an early breakfast meeting with the client. I’ll call Leslie and see if she’s good with that. Can you call the client and convince him to come over right away?”


“Yeah, but do you think the kit is ok in my car?”


“I don’t know. I don’t want to open it until we get it to a safe place.”


“Where’s that?”


“I don’t know that either, but it’s not here in public.”


I put some bills on the table and we headed to the phone booth outside.



Leslie picked up the phone after the first ring.


“You’re up?”


“I couldn’t get back to sleep after you left.”


“Sorry about that.”


“It’s ok. What happened?”


“Same as usual, but this time one of the kits didn’t disappear.”


“You’re kidding!”


“No. I’ll tell you about it when I get home. I want to have a breakfast meeting with Frank and the client at our place in about half-an-hour. Would that be ok?”


“Sure, I’m up anyway and I want to hear everything.”


“We’re at Del’s. I’ll bring home some bagels and lox and coffee.”


“No coffee, I’ll make some.”


“We’ll be there in a few minutes. Love you.”


“Love you too.”


It was Frank’s turn. I gave him a dime and went back into Del’s to get some breakfast goodies. Frank was waiting by the phone booth when I came back outside.


“Is he coming over?”


“Yeah. He’s a bit grouchy about the time, but he’s coming.”


I gave Frank one of the bags of bagels and we went to our cars.



Our house isn’t much, but at least we’ve got a big kitchen table and lots of chairs. None of them match. Some came from the stash in my grandmother’s trolley shed, others from the remains of Leslie’s marriage, and others from who knows where. I always sit in the beat-up captain’s chair. My grandmother told me it was my granddad’s favourite. Now it’s mine.


We dealt some plates and utensils and I poured some of Leslie’s coffee into mugs. The three of us sat and ate and chatted and waited for the client.


“Frank, what’s the client’s name?”


“I don’t know. He pays with envelopes stuffed with cash squeezed into my mailbox, so I don’t ask too many questions.”


The front doorbell rang. Leslie got up from the table and padded through the hall to answer. Hopefully ‘The Client’ was behind door number one.


“Rob?”


“Hi Leslie.”


“Are you the client?”


“Yeap, that’s me.”


“Are you still with the lab?”


“No. Are you still there?”


“No. Not for a long time.”


Rob and Leslie stared at each other for an eternity of seconds. 


“Where are my manners? Please come in. They’re in the kitchen.”


Rob stepped over the threshold and started to take off his shoes.


“You can leave ‘em on. Come this way.”


Leslie lead. Rob followed.



After some howdy-dos, it-was-you-all-alongs, and friendly banter, accompanied by generous helpings of bagels and lox, we finally settled down. I figured it was now time to get it all on the table.


“Like I said, we’ve got a kit from a midnight hobby shop in the trunk of Frank’s car. What we don’t have is an explanation about what’s going on. So, what’s up?”


Rob began:


“It’s a bit of a long story. Earlier in the year I got these phone calls in the middle of the night telling me to go to such-and-such an address at such-and-such a time in the morning. Always different locations and different times. I figured it was some sort of scam or prank, so I would hang up and go back to sleep. I didn’t call the police because I didn’t think they’d do anything since the only crime was waking me up.”


“So, why’d you call us?”


“There was something else about the calls that bothered me that I didn’t want to tell the cops. The guy doing the talking sounded a lot like my son. I wasn’t sure. It was just a nagging feeling. The fourth time it happened I decided to get up and go. Look, we’ve been estranged for a few years. He’s got mental problems and a problem with booze. I thought maybe this was some strange way of his to get my attention. I’ve tried everything to find him, but I haven’t.”


I got up to refill everyone’s coffee. Rob continued:


“Ok, so I drove over to the place. I parked my car on a side street to try and keep a low profile. I walked over to the address. It’s some store all lit up in the middle of the night and it’s full of people. I go in. It’s some sort of hobby shop. I ask everyone about my son, but no one knows who I’m talking about and I get lots of odd looks. I don’t know what to make of it so I leave and figure it was some kind of sick joke after all. When I got to the street I turned around to give it one last look and all of a sudden all the lights instantly go out. Ok, I’m curious so I walk back to the store to see what’s going on. It’s a stationery store. All the hobby stuff is gone and it’s been replaced by pens and papers and the like.”


Frank and I gave each other a knowing glance. It sure sounded like what happened at Bruno’s Shoes. Rob continued:


“This is when I decided to call you guys. I’m a model maker like you and I know your company’s got a bit of a reputation in the community.”


Frank looked hurt and countered:


“Don’t believe everything you’ve heard.”


“Come on Frank. You and I learned model making from those aircraft recognition model classes they gave us in rehab during the war. I know you, and I know your company does all sorts of model related investigations. I figured if half the stories about your investigations were true, you were the guys to get to the bottom of this.”


“So why didn’t you come clean at the start? Why this man-of-mystery crap?”


“Look, I was embarrassed ok? I figured if I disguised my voice, told you just the barebones of what I wanted done, and paid you with a big pile of cash, you’d do your thing and not ask questions.”


Now it was Frank who was embarrassed. His old acquaintance knew him a bit too well.


“Ok fine, but what about …..”


Frank was cut off mid thought by a sheet-metally cacophony


thunk! bang! thunk! clang! thunkbang! thunk!


coming from the street.


We all jumped out of our chairs and bolted for the kitchen door. 


thunk! thunk! clang! bang! thunk!


The racket was coming from the trunk of Frank’s car. It was parked on the street, in front of our house. Frank and I ran to the curb.


The trunk was pockmarked with dents. Little hillocks had been hammered into its metal surface. From the inside.


I had to admit those Swedes knew how to build a car that could take a punch. This 27 year old senior citizen showed no sign of having its trunk seal broken; there were lots of dents, but it was still firmly closed.


Frank reached into his pocket for the key to open it.


“Don’t Frank, I….”


bang! 


This last bang raised a new little hillock and lit up a tsunami of house lights up and down the street. 


“Damn! Frank, get in the car and get out of here. My neighbours are calling the police as we speak. You need to get the hell out of here! I don’t want to explain this to the cops.”


“Go where?”


Panic was setting in.


“I don’t know, just get going! Call me when you’re there.”


Frank got in his car and drove off. Rob was standing on the lawn watching. I called to him:


“Get in your car and follow him! Don’t let him out of your sight!”


He skidded his car out of my driveway and raced after Frank.


As they turned right and away at the stop sign at the north end of the street I could hear a faint siren approaching from the south. 


As Leslie and I quickly walked back to the house I tried to concoct a story about musical raccoons using our trash cans as a drum set.

Thursday, September 5, 2024

RDC-X

I greet the new owner of RDC-X.

One of the commenters on the video for Le Grand DEFI noted words to the effect that it was good to see an RDC that wasn't being used for alien autopsies and such as he had seen on the X-Files. I didn't know any RDC had made a guest appearance on the X-Files so I used the commenter's hints and went to look for the episode.

An image from episode '731'. The RDC is a lab carrying a human-alien hybrid.

It turns out RDCs featured in a 2-part story in Season 3: episode 9, 'Nisel', and episode 10, '731'. According to the story there appears to be two RDCs in use. The one in 'Nisel' has the number 82594, and the one in '731' is numbered 82517. I suspect the tv show production crew used the same RDC for both, but switched car numbers as necessary?

An image from 'Nisel'. This one had a lab that seemed to be the site of an alien autopsy 

I don't know what RDC variant they used on the show other than it appears to be an all passenger one as there aren't any cargo doors on the car. I didn't have anything similar on hand to build my own version, but I did have this:

The Athern RDC-3 before conversion

It's the Athern unpowered RDC-3 brush painting victim. In the show the RDCs never appear as the self-propelled vehicles that they are; they're always seen being pulled around like any other freight or passenger car, which makes the unpowered Athern a good choice as the candidate model. I speculate the show's team picked an RDC because it's an odd looking car and seems a bit weird to most people, so turning it into an alien lab I guess wasn't much of a stretch - being self propelled was probably irrelevant. And there must have been an old, broken down one rusting away on a siding somewhere that would be cheap to convert. Well, at least make over its exterior. I assume the interior scenes were shot on a set.


I decided mine would merely reference styling cues of the X-Files "prototype" instead of being an exact replica since I didn't have an all passenger version on hand to bash and didn't want to buy one. The above picture of the conversion is fairly self-explanatory, but I'll note I used 0.040" thick styrene sheet for all the interior filler panels and 0.020" on the exterior ones. I also panelled over the unsightly notch in the body that secures the chassis - that's the panel beside my thumb in the above photo.


The prototype's ends appear to be in different styles. To make things easy I decided to fill in the side windows and leave the door's window a window. Once the body was painted I glued in a piece of clear plastic.


The only markings on the prototype appear to be large, black numbers on a white roof top panel. As I mentioned earlier, the numbers are different in each episode.


For those number panels I attached a small piece of 0.010" styrene to the roof. The numbers are rub-on, dry transfer items.

As for painting I sprayed the body with Krylon Fusion Metallic Silver and over coated with Testor's Dullcote after the silver had dried for a few days. The vents and grills were painted with thin applications of Tamiya Black Panel Liner. The chassis was brush painted with Revell Aqua Color Matt Black. 


I also installed a pair of Kadee couplers so RDC-X could be used with the rest of the fleet. Er, well, used with its cousin the Space Hopper.

The disturbance in the force caused by these two popped the roof off the lifeguard station!

The writers ended the 2-parter a little too E. L. Moore-like in my estimation. Similar to the way Moore concluded his Cannonball and Safety Powder Works, the RDC "blowed up real good" as they used to say on the Farm Film Report:


Rest assured this will not happen to RDC-X.

Well, who knows what my grey friend has in mind :-)

Wednesday, September 4, 2024

Two Worlds Collide

After writing about the Hot Wheels Dodge Rampage conversion I started to wonder if the E. L. Moore Husky VW Pickup might fit into the scene I had in mind.

In an earlier post I noted the Husky VW Pickup is in 1/66 scale according to internet sources and that made it a bit large for HO scenes; however, 1/66 is close to 1/64 so it might be ok for the S-scale Mt. Lowe tribute layout.

Wikipedia tells me the VW pickup stands 1940mm tall. In 1/64 scale that's 30.3mm, and 29.4mm in 1/66. In comparison, a 6' tall man would be 28.6mm tall in 1/64 scale. The Husky toy stands about 24mm tall. The photo makes it quite clear it's too small for either 1/64 or 1/66 scale, and the 6' tall test figure in the photo proves the point. He should be just 1mm or so shorter than the VW's roof.

The VW is closer to 1/81 scale, so that sort of explains why it doesn't look too bad in E. L. Moore's photos.

Well, all is not lost. If I can find just the right spot in the scene the VW might look ok as long as there aren't any strict S-scale items or tall figures nearby to give up the ruse. Hmm. now that I think about it, maybe I need an S-scale photographer up on Inspiration Point...