All model photos courtesy of James L. Dixon |
You might recall that back in May Paul figured out that one of the E. L. Moore mystery pieces was the cowshed from the barn described in ELM's article, The Old Red Barn, that appeared in the January 1966 issue of Model Railroader. Recently, I generously received some detail photos of the rest of the barn from E. L. Moore's grandson.
A photo of this view of the barn's end wall is clearly shown in the article, and one thing that strikes me about the model on the left is that it has no window in the peak, and the decorative circular designs on the middle of the wall are missing. So, I'm wondering if this is a duplicate of the model that appeared in the article. As Mr. Moore notes in the article's opening paragraph,
I really built two barns, one for a fellow modeler who wanted a bit classier barn with matched siding and a cupola to set it off. But both barns are basically the same, with similar skeletons serving both. The difference is in the finish.
So, I'm thinking this is the less classier one.
You can see from this interior shot that there are no cutouts for windows near the end wall peaks.But, I do like that interior, and the straw is still there.
It's even got a curious pig, and what looks like a rooster.
What modeler, besides John Allen and E. L. Moore, would ever be so collected, studied and cherished after being dead for 40 or more years? I get the feeling none of their work was ever discarded as junk. This is a sign of true artists!
ReplyDeleteYes, a true artwork will stand the test of time. Although we live in an era of vast amounts of technically great modelling, I'd say artistry is in decline. I'd agree that Allen and ELM were artists, bringing different, but important things to the table. I'd also add John Ahern, George Iliffe Stokes, Aldo Cosomati, and Roy England to the list of undisputed artists.
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